Learn With Me
I love sharing my experiences in bass playing and music, and I especially love helping others find their own voice. For the last 15 years I have been teaching private lessons on upright and electric bass, and have also presented clinics/workshops/masterclasses at Berklee College of Music, Shasta Music Summit, RockyGrass Academy, Falling Waters Music Camp, Yukon Acoustic Music Workshop, Stringendo Summer Strings, and others.
Calling on inspiration from some of my former teachers (Edgar Meyer & Hal Robinson at the Curtis Institute of Music; Nicholas Walker & Shawn Conley at Ithaca College) and years spent on the road and in the studio collaborating with a wide range of musical artists (Sierra Hull, The Milk Carton Kids, Darol Anger, Aoife O'Donovan, Mark O'Connor, etc.), I've developed a style of instruction that is suitable for all ages, experience levels, and for many styles of music, for those who are looking to grow as a bass player, musician, and human being. My ultimate goal is to help you discover who you are as an artist.
I currently offer remote private instruction (Skype, Facetime, Zoom, etc.), and, on a limited basis, in-person lessons in Nashville, TN. For more information, pricing, and availability:
Want to know more? Keep reading below:
In my experience, private lessons work best when the student is self-directed, and comes prepared with goals and ideas they want to pursue. Rather than give you a curriculum that I’VE decided, I want to help you with what YOU are excited to learn about.
That said, here are some examples of the many topics that I love to delve into:
Creating interesting bass-lines that serve the music
The physical aspects of bass playing: how to use your body efficiently and ergonomically for pain-free, sustainable playing
Left-hand technique: making the fingerboard feel like a less mysterious place by shifting and pivoting with ease, keeping a small hand, removing unnecessary movements and tension, being aware of non-playing-fingers, and more
Pizz technique: tone production, percussive playing, speed/agility, etc.
How to selflessly harness the power that comes with being the rhythmic and harmonic backbone of an ensemble
Bow technique: everything from the basic mechanics of making beautiful legato tone to oldtime fiddle patterns, classical/baroque styles, chopping, etc.
Improvisation: freeing up your mind, body, and ideas, playing over changes, playing free, playing composed music improvisationally, etc.
Supporting singers
Finding your voice/role in a band
Bach, fiddle tunes, jazz, orchestral excerpts, classic solo repertoire, etc.
Music/harmonic theory, chart-writing, ear-training